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                    <text>Cawston Lodge

GB/REE/2509071140

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                <text>Postcard showing one of the four lodges attached to Salle Park Estate. This is the second one of two on the road from Reepham to Cawston. The lodges are unusual as they are situated on the opposite side of the road facing the entry gates to the estate. </text>
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                    <text>A thousand years of Salle
During the millennium year, Salle village, church and estate celebrated the history of
Salle on a beautiful June day. Morning service was attended by most of the villagers,
followed by drinks at the hall with Sir John White before everyone joined in a
barbeque at the Village Institute. The afternoon was spent in watching a cricket
match or climbing the church tower for a glimpse of the splendid view from the top.
This was a real traditional village event made all the better by the blessing of good
weather. To bring memories of the past into the present, Claire Buxton, chairman of
the Parish Meeting, with help from long-time inhabitants of the village, such as Ben
Stimpson, had organised an exhibition in the church. This included archive material
and a fascinating display of metal detector finds dating back across most of the last
two millennia and collected by Richard Saunders who lives and works in Salle. This
article is based on a brief history of Salle which was available as a handout on the
day.
Origins
Salle lies on the top of the Norfolk watershed between the Bure and Wensum rivers.
It is, in very many ways, a typical Norfolk village. Its history from before the
beginning of this millennium illustrates what was and is happening in many other
Norfolk villages. The name “Salle” is usually taken to derive from sallows, the old
name for willows but other suggestions have been put forward. Is it a corruption of
“aul” the old English word for hall? One of the manors in the village was once known
as Kingshall which could easily lend itself to shortening as “Sall”. Or perhaps it is
related to an old northern word describing a high, windy place that appears in the
Cumberland name Black Sail Pass? Salle is high and windy − for Norfolk.
The land of the village has always belonged to one or other of the manors in the
parish. Now, it is almost entirely part of the Salle Farms estate. Before the
improvements of recent centuries this would have been regarded as poor soil and
used for sheep, much perhaps remaining as common land which was important also
for the poorer villagers. In the past, those with common rights not only grazed their
animals on the common but also collected wood and kindling and wild fruit. This left
their own small plots, or “pightles”, to be cultivated to feed the family. As in the rest
of the county, enclosure started quite early in Salle to meet the changing needs of
the farms. Commons and small pightles and closes have now long been enclosed and
those old, open fields themselves have been changed to meet the needs of modern
farming practices.
A small landowner in the village is the church but it is the large and beautiful church
itself which is the jewel in Salle’s crown and perhaps the best known building in this
part of Norfolk. Salle church has recently figured in England’s Thousand Best

�Churches by Simon Jenkins (1999). No one should leave the village without making a
tour of this unique church. Built on the wealth of the wool grown on the sheep which
grazed the local heaths, its presence emphasises the change from stock farming to
arable which has taken place over the centuries as the farming families who built it
grew wealthier. Heath, pasture and woodland have now largely given place to open
arable fields. The building of Salle church by a group of leading sheep farmers in the
15th century and its maintenance since by leading local families shows how such
families have always been important in supporting the life and people of a village and
its surroundings.
The families and manors of Salle
Perhaps the most important historian of Salle is Rev. Walter Parsons who was the
parson here for over 30 years. As a former scholar of Pembroke College and Dean of
Selwyn College, Cambridge, he took great interest in researching the history of his
parish. His book Salle saves all of us much time and effort when researching the early
history of the village, the manors and the church. It provides invaluable information
on the history of the village and is available from Reepham Library.
Salle also figures in the Paston Letters. One of the Salle manors belonged to the
Mauteby family, one of whose daughters married into the Paston family. Although
litigious and concerned about keeping a grip on their lands, like so many medieval
Norfolk farmers and lords, the letters concerning Salle directly are often concerned
with the promotion of a courtship between John Paston and Margery Brewes. The
Pastons remained closely associated with Salle for the next 100 years.
Salle itself is mentioned in Domesday Book when it was said to have four manors.
The history of the manors is well testified. Today, Salle Moor Hall and Stinton Manor
House probably represent the site of two of the manors while a third was probably
finally destroyed when Salle Hall was built. Parsons speculates that the fourth manor
house was sited on the Wood Dalling side of Gatehouse Farm near the bridge over
the stream.
Salle Moor Hall was a Bullen (Boleyn) possession from the 14th to the 16th century.
Yes, that is the family of Anne Boleyn! But there is no evidence that she ever lived in
Norfolk! More recently in the hands of the Stimpson family, Salle Moor Hall now
belongs to Ardisher Naghshineh who is farming this land organically. Ben Stimpson is
now the only member of the Stimpson family still living in Salle. Though now past his
90th birthday, he remains a forceful member of the community and was, until very
recently, still a churchwarden. His knowledge of the past and present of Salle village
and its church and people is unsurpassed.
Stinton Manor is the manor that was formerly a royal manor but that was before the
Norman Conquest. Domesday Book tells us that this “Kings Manor” belonged to

�Godwin − the father of King Harold. Harold, himself, held Cawston. By the time of
Domesday, both were held by one Ralph who was made Earl of Norfolk. He rebelled
and his lands were given to the new Earl, William de Warenne, one of William’s
major lords who built Castle Acre. Stinton House, having passed through the hands of
the Townsends of Raynham and Bulwer Longs of neighbouring Heydon, is now part
of the Salle estate and is, at present, the home of Paul Hovesen, the Salle Farms
estate manager who came here from Denmark some 13 years ago.
Many other well-known Norfolk families have held land in Salle: the Briggs,
Fountaines, Pastons, Townsends and Earles, to name but a few. After Edward Hase
created the park and built the hall in 1765 it passed to the Jodrell family after Richard
Paul Jodrell of Lewknor in Oxfordshire married his daughter. She had inherited the
right to a baronetcy from her uncle, John Lombe, which now passed to the Jodrells.
The Jodrells were squires here until Major Timothy White, who owned the chain of
chemist shops, now absorbed by Boots, bought the estate in 1890. Both these
families have done a great deal to both preserve and to develop the estate and
parish of Salle.
Farms and farmers of Salle
One interesting point emerging from early history is a suggestion that this was an
area with many “freemen” in the Middle Ages. Their counterparts, after the 16th
century, were the yeomen farmers, tenants of the remaining farms in the village, all
of which now belong in one capacity or another to the estate. These were the
successful men who prospered by buying up and enclosing land after the collapse of
the feudal system. A number of their old farmhouses have been sold off as private
houses though some remain as part of the estate.
A typical example of an old farmhouse is Park Farm, formerly Bog Farm, standing on
the edge of old water meadows which lie between Salle and the former royal manor
of Cawston. This is now the home of Andrew and Claire Buxton. Andrew farmed with
his brothers in Heydon and now works for himself while Claire is chairman of Salle
Parish Meeting. Park Farm stood empty for some years until it was used as a film set
for the television production of Mill on the Floss, which was filmed largely on location
around mid-Norfolk. Since then, it has been restored with a considerable degree of
sympathy to retain much of its original character. The date 1770 can be discerned in
the brickwork on the front of the house but the house is older than this. Like many
Norfolk houses it has been refurbished or rebuilt repeatedly over the years.
Manor Farm, which may have been closely associated with Dorothy Repps, motherin-law of the builder of Salle Hall, remains an integral part of the estate as the farm
office. It probably started life as a common-edge manor house in the Middle Ages.
The late 18th century estate maps indicate that the area that is now Bluestone Wood

�was then common land as was an area near the bridge on the way to Cawston. The
name “Brake Pasture” of a field next to the park, also indicates common. A “brake”
was a field cut out of common or heath.
The insertion of an older staircase into Manor Farm may have been carried out
because Edward Hase lived in Manor Farm after the destruction of the former manor
house. The date on Park Farm also seems to link the improvements to these two
farms with the creation of the park and building of the hall in the late 18th century.
Practically next door to Manor Farm lies Cherry Tree Farm. This still belongs to the
Bulwer Longs of Heydon and illustrates how closely interlinked all the villages,
manors and farms of this group of villages are. This probably stems from the old
manorial system when strips of land were held in a variety of open fields, not always
close together or even in the same parish. Later, we find farmers owning strips
belonging to different manors. This is shown particularly clearly on the 1846 tithe
map where the few remaining strips still held by individuals show where the old
open fields existed. This intermix also affected the parish boundaries. Until very
recently a long strip of Reepham parish cut right across Salle Park, balanced by a strip
of Salle, which reached down to Reepham Moor. The parish boundary has now been
changed to adjust this anomaly which had been perpetuated over time, possibly due
to old land ownership boundaries, perhaps to allow a manor or tenant to have a mix
of arable land and water meadow.
Salle Village
The village itself is not large, consisting of a scatter of houses leading down past the
cricket pitch from the church. It comprises cottages probably built on the sites of the
old “tofts and crofts”, formerly worked by tenants who may also have been
craftsmen and whose families would have spun and woven woollen cloth in the time
between all their other tasks. Even in the past the number of brick built or stone
houses would not have been much more than now. There would, however, have
been many more residents, working the land, carrying out their trades in the village
or working as servants on the farms. Families were also much larger, and
expectations lower, until well into this century, so each house supported more
people.
The old school house still stands opposite the church. The school was originally a
“non-provided school”, that is to say, it belonged to the estate and was administered
under an agreement with the Board of Education as a church school. As owner, the
squire was, therefore, chairman of the Board of Managers and appointed several of
them. Surviving correspondence in the White family archives gives interesting
insights into the running of the school around the turn of the century. Education was
already fairly closely controlled and inspected and the school developed over time to

�include examinations and scholarships as opportunities opened up. The staff
consisted of a headmistress, most of whom seem to have come from southern
counties and were required to have musical skills and to be able to teach physical
education as well as the other more usual attributes of any teacher. The
headmistress was supported by one assistant teacher and/or a “monitress” who was
a senior pupil of promise. The letters of these women, written when applying for the
job, indicate that they had very little money. Shades of Jane Eyre!
Before the First World War children would have finished their education by 12 years
of age. In such a rural area, holidays were taken to allow the children to help with the
harvest and these had to be specifically requested from the education authorities.
Mrs Williamson, the last teacher, is buried in the churchyard.
Next door is the Lynton White Institute, built by the White family, which provides a
home for the Parish Meeting and a site for social events, not least cricket teas, as the
institute stands on the edge of a splendid cricket field. On the other side of the field
is the forge, owned by the church and still a fully fitted working forge, though no
longer regularly used. The first of the houses in the village is the former “White
Horse” public house now converted to a dwelling house since its closure in the late
1960s. The Street continues down to Gatehouse Farm between two rows of cottages,
some of which are occupied by estate workers.
There were more cottages around the eastern fringe of the park and a dairy farm in
the park but there is very little more than a few bricks left from these buildings.
More interesting are the houses in the park itself and the picturesque style lodge
cottages at the four entrances to the park. These have one unique feature as lodges:
they are on the opposite side of the road from the hall. Most of them have now been
adapted or enlarged by the estate to meet the needs of their inhabitants.
The village is, obviously, dominated by its magnificent church but nothing has been
included here, as booklets on the history of the church are available in the church.
Suffice to say that the church of St Peter and St Paul continues to attract visitors to
view its architectural splendour and music lovers who wish to take advantage of its
excellent acoustics to perform and listen to concerts and to make recordings.
Salle Park
By far the largest house in the village is Salle House. Edward Hase created the park
itself in the late 18th century before he built the house. A map, still in existence,
shows how Edward Hase bought up small closes and strips to make the park,
processes know to historians as “engrossment” and “emparkment”. When Edward
Hase died, he fortunately left a Memorandum Book which Sir Richard Jodrell
continued to use after he succeeded in 1804 so we can date and follow some of the
early developments in the park. Gardens and trees were planted, a beautiful walled

�garden still remains in use and there is an icehouse in the shrubbery. Work continues
to maintain house and gardens in their present good order. Pat Dennis, who has now
returned to the village of his birth, keeps the gardens in order without the army of
under-gardeners and boys of former days. He still lives in the old gardener’s house
next to the walled garden. Fortunately, pleasure gardens were not fashionable when
the house was built and were never planned to be very large though extended across
the south lawn as far as an ornamental ha-ha before 1846.
One particularly happy aspect of the park is the number of magnificent trees it
contains. Of course, creators of parks, following the ideas of Humphry Repton (now
buried in Aylsham churchyard) and Capability Brown, looked for a natural effect in
their new parks. Trees were often planted in clumps or as shelter belts but also in
“rows”. One way of achieving a rapid mature effect was to retain the trees which had
formerly stood in hedgerows along field boundaries. It is possible to identify these
former hedge lines from aerial photographs and old maps even though, in their more
mature state, the lines are not always obvious as trees succumb to old age or storms.
Many trees have been felled during the 200 years of the park’s existence. However,
one major oak tree, which must predate the park by some considerable time, still
remains. It is now a huge and venerable veteran supporting considerable amounts of
wildlife. The park trees have always been well cared for and a new avenue of horse
chestnut trees is now beginning to grow up along the main drive across the park.
New plantings of park trees also include Turkey, evergreen, red and English oaks.
Salle House
Salle House was built in 1763. It is a mid-Georgian neoclassical building influenced by
the emerging forces of romanticism. It consists of a two-and-a-half storey central
wing of seven bays, built in red brick with a stone Ionic pediment on both north and
south elevations and a hipped roof surrounded by a balustrade. The architraves of
the principal doors are also of stone. A single-storey wing extends to both east and
west where two courts were converted to an orangery on the east and a billiard
room on the west in Major White’s time. The Victorian upper storey, added over the
billiard room, has since been demolished. Beyond the wings, low two-storied
buildings extend on either side – to the coach house and stables on the east. The
appearance of Salle House is now almost identical to a drawing on an estate map of
1807. This, however, is due to work carried out by Sir John White who has now
restored the house both inside and outside while retaining its original character
extremely well.
Salle Farms Estate
Salle Farms is now entirely arable. Crops include large-scale cultivation of barley,
beet, beans, peas and wheat on land which, before the improvements of recent

�centuries, would have been regarded as poor soil and used for sheep, The estate also
remains conscious of its stewardship of the countryside. Successful modern farming
is contract farming to meet the needs of large-scale food suppliers. Output is
constantly monitored by the use of satellite technology. In addition to the large-scale
production of grain, pulses and sugar beet, a recent addition has been the
appearance of plantations of Christmas trees which provide work during quieter
periods of the year. Areas of set-aside supplement other conservation innovations
that are now possible
Attitudes to the countryside have changed in recent years and many who formerly
knew little about it are able to get out and about and have demanded access to a
countryside which they regard as a common heritage. This can be a two-edged
sword. Unlimited access can be disruptive to wildlife habitat, to game birds and to
growing crops alike. However, many footpaths and green lanes marked on the OS
maps are maintained to provide walks across the estate. Some paths have been
diverted round the edges of fields rather than cutting through the middle. Those who
wish to quibble at this should remind themselves that walking along the hedge is
much more interesting as this is where the greatest variety of flora and fauna is to be
seen.
In addition to the more conspicuous pheasants and partridges reared on the estate,
and the ever-present rabbits, there are less evident denizens of this land. Stoats,
weasels and other small mammals are much shyer but are still in abundance where
there is a large rabbit population. Though many small birds have disappeared in
recent years there are a number of larger birds to be seen. Herons and kestrels are
regular hunters in the area. Barn owls are becoming re-established and three are
nesting on the estate. Recently, a group of Canada geese have settled near one of
the ponds. These birds can be a mixed blessing and have become a nuisance on some
farms elsewhere. The more remote part of the estate is hare country and numbers of
mad March hares are to be seen every spring.
Yes, there are large fields but many new hedges have been planted and old hedges
preserved. Other conservation measures are being undertaken. These include the
planting of broadleaf trees along the old railway line near the Cawston boundary and
maintenance of existing patches of woodland on the estate. One important
conservation measure now being implemented is the scheme whereby four-metre
strips along watercourses are left as permanent set-aside to reduce the risk of
contamination of ground water by pesticides and so forth. The watercourse, which
crosses the estate from beyond Wood Dalling, winding round past Cawston to
Booton, is a case in point. Anyone who walks down the road by the side of Wood
Dalling church should note the ditch on the right-hand side which is full of
wildflowers, especially primroses and orchids in springtime. This ditch now has a

�preservation order on it. Yet, it was dug very recently, showing that modern farming
activity is not always destructive.
Much of the information in this article was obtained from the White papers and
Bullen papers, now held in the Norfolk Record Office.

From the Reepham Society Magazine, Millennium Edition, April 2001

Salle church from the south on a winter‘s day in January. This huge and beautiful
church dominates the skyline.

�Manor Farm as it today when it is in use as the Salle Farms estate office.

Salle village street looking west from the church. The larger house on the left was
formerly the White Horse public house.

�Salle Hall from the southern garden. The park is so thickly planted with trees that
there is only one sight line from which the hall can be seen.

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                <text>Scanned and edited by Geoff Fisher</text>
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                    <text>������</text>
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                <text>Notes on Salle Church </text>
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                <text>GB/REE/2305101030</text>
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                <text>7pp A4 typescript</text>
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                <text>1998</text>
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            <description>An account of the resource</description>
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                <text>Information on the church building with interior features described. Originally compiled by the head of of Reepham School (B.Wise?) in 1981 &amp; re-issued in 1983 with  foreword by David Rosenthal. The original 16pp version includes detailed historical information about religion in England from the 12th century to modern times.</text>
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                    <text>Sall, Saul or Salle 
The name of the village; we all pronounce it the same but how do you spell it? The 
title gives three ways but since the Domesday book to date it has also been recorded 
as Salla, Saulle, Sawle, Psalle, Sal and Saal. The most frequent spelling (particularly 
during the middle ages) was Salle. It would seem that the ‘e’ was dropped during the 
sixteenth century and this spelling persisted until the early part of the twentieth 
century. The Rev. F. Lillingstone who was Rector from 1902–1909 revived the spelling 
with a final ‘ e’; during the 1930s it was felt that this spelling was gaining vogue and 
perhaps today it is now generally accepted that it is Salle. 
From an article published in the Reepham Society Newsletter, May 1985 

�</text>
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                <text>A short article on the spelling of the name of the village of Salle</text>
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                <text>Local Villages/Salle [File 12, Archive Box 112]</text>
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                <text>From an article published in the Reepham Society Newsletter May 1985</text>
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                <text>Reepham Society</text>
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                    <text>Salle Church 
People sometimes ask, on first seeing Salle Church, why was so large a church 
required for what cannot ever have been a big population? I doubt if there were ever 
more than about three hundred inhabitants of the parish. The church is not a 
mausoleum for the ostentatious tombs of a wealthy family of local landowners; 
indeed, the modesty of the building is as remarkable as its size. Its most beautiful 
adornments, a series of nine carvings depicting scenes from the life of Christ, hang 
high in the roof of the chancel, anonymous and only with great difficulty to be 
discerned. True, the building serves the people, but its chief purpose is to proclaim 
the glory of God; this it does nobly. 
With very slight differences what you see now is what you would have seen towards 
the end of the 15th century, when Salle Church was completed. It was begun about 
1400 and finished before the end of the century. Over the great west door, flanked 
by its two angels with their censers, are two rows of shields, with the arms of 
persons of local interest; two of the shields have the instruments of the passion, and 
one shield has the arms of Henry V when he was Prince of Wales – 1400 to 1413. The 
heavy oak doors, with their massive hinges and bolts of local blacksmith’s work, are 
the original ones; you enter this church as worshippers have done for more than five 
hundred years. Inside the church you stand under the ringers’ chamber with the font 
in front of you. It is a ‘seven sacraments’ font with carvings of the sacraments and of 
the crucifixion on its eight sides. Below each panel is an angel bearing a symbol of 
the sacrament (e.g., a lyre to represent the harmony of marriage) and over the font a 
splendid cover suspended from a sort of crane operated from the ringers’ gallery. 
There are forty of these ‘seven sacraments’ fonts in England, twenty‐five of them in 
Norfolk and thirteen in Suffolk; unfortunately, almost all of them have been sadly 
mutilated, the one in Salle not quite so savagely as some others. 
Over the two porches at the west end are rooms reached by spiral stairs; the south 
one has its roof reinforced with iron; perhaps it was a treasury; the north one may 
have been a chapel. It has a solid oak door with a massive bolt, and a handsome 
groined roof. 
The nave is lofty and spacious; between the font and the back pews is an area of 
open space, so that the first impression that a sensitive visitor experiences is of calm. 
Later one may find those unostentatious details of decoration which make every visit 
a fresh delight, but at first it is the majestic proportions of the place that give it its 
quiet power. 
Architects have remarked on the skill of the medieval builders in supporting so 
weighty a roof with simple arch bracing; no fussy hammer beams. But some eighty 
years ago it was found necessary to pin the walls together with iron rods, still leaving 

�clear lines from floor to roof; the roof decorated with angels. There are angels all 
over the building – outside, over the west door, and on the roof, and inside the 
fragments of ancient glass. 
In 1611 Lord Knyvett – who arrested the Gunpowder Plot conspirators in 1605 – gave 
the clerk’s and minister‘s desks and the sounding‐board behind and over the pulpit, 
making a ‘ three decker’. This, until the restoration in 1910‐1912, stood halfway 
down the nave, on the south side. At the time of that restoration the church was so 
badly damaged that the little congregation could only use the chancel and entered 
the church by the small door on the north side. Frank Lillingstone, rector from 1902 
to 1909, set to work to collect money for the restoration which was completed soon 
after his death with generous donations from Sir Woolmer White and Sir Alfred 
Jodrell. Early in the reign of Queen Elizabeth the rood screen was cut down to its 
present height; the saw marks may still be seen in the oak. Many churches escaped 
this vandalism – Ranworth and Cawston among them. But the result in Salle is not 
wholly unhappy; it has opened up the whole inspiring length of nave and chancel. 
By 1450 there were seven guilds with altars and chaplains in Salle. All the altars have 
long since disappeared, leaving only hints of where they stood. There is no evidence 
of any college of priests here; which makes the twenty‐six misericord stalls in the 
chancel hard to explain. These stalls have beautiful carved figures of animals, birds 
and people, the carving almost as fresh and lively as when the anonymous craftsmen 
left them five hundred years ago. Even the panels in the screen (only eight of them 
painted) have tiny carvings of birds, and of dragons, in their spandrels. It is much to 
be regretted that the nine carvings of scenes from the life of Christ are hung so high 
in the chancel roof that they can only with difficulty and binoculars be seen. But 
perhaps they might not have escaped the puritan desecrators if they had been 
accessible. They are carved with great freedom and very moving simplicity of 
composition. 
Only four of the monumental brasses which used to be in the church now remain 
(and one other fragment). One of them is of Geoffrey and Alice Boleyn, great 
grandparents of Anne Boleyn. I have been told that, at the time of the 1910 
restoration, excavations unearthed the skeleton of a young woman who had six 
fingers on one hand, and this gave support to the tradition that Anne Boleyn is 
buried in Salle; but the tradition is almost certainly untrue. 
Talking about Salle is, though I cannot stop doing it, of little worth. Salle must be 
experienced and allowed to speak for itself. 
Caughtley ranked three Norfolk churches as pre‐eminent: St. Peter Mancroft in 
Norwich, Walpole St. Peter in the Fens, and Salle. Another authority, Pevsner, ranked 
Salle among the fourteen great Perpendicular Churches of North‐east Norfolk and 
Norwich. 

�David Rosenthal 
From a talk given at The Old Brewery House on 27 September 1984, published in the 
Reepham Society Newsletter, May 1985 

�</text>
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                <text>From a talk given to the Reepham Society at The Old Brewery House on 27 September 1984, published in the Reepham Society Newsletter, May 1985</text>
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                <text>Salle School 3</text>
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The Manor House &amp; Elizabethan Stairway

Stinton Hall

�Salle Park

Sandpits
North

Manor Farm?

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Members of the Humphrey Family

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Wilson Family &amp; friends, possibly at No.1 'The Limit

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�</text>
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Repairs to the Cartshed with Granary over, 1935
Building jacked back to level, new roof timbers,
Labour cost £29. 11. -.

Working Austin Van

Renewal of Park Fence. Required 800 stakes,
1600 arris rails &amp; about 15,000 pales.

Steam engine in use

�Saxlingham Cottages
Interior of living room in
Cottage No. 3, Saxlingham,
showing old staircase with very
narrow treads. New staircase
made &amp; ceiling &amp; bedroom
floors renewed July 1935.

�Felling a large oak that had fallen across Cawston Road near the Wood Yard, May 1935

July 1935
Rescuing a colt from a pit in Ives
Meadow, Wood Dalling

�Opening of the new cricket pavilion by Sir Dymoke White in August 1935

�</text>
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                    <text>Salle Park early Spring 1934
Thrashing M.F. 87 1933/4 crop

�Cottage at Whitwell : formerly occupied by Mrs. Chipperfield. Condemned and unoccupied for 4 years. Roof
timbers (oak) found to be good except for 2 rafters. Completely re-conditioned May 1934 and made habitable
at a labour cost, including supervision of £27. 5. 0., exclusive of thatching.
Top : after completion
Below :
F.Horner, E. Wright, C. Guyton,
&amp; H. Woodcock
Bottom :
Thatching by H.W. Thixton &amp; Son of Coltishall
(who did work for the Wembley Exhibition)
Cost £12
View of the back

�Filly 'Spot' by 'Main Royal' out of 'Sussex', foaled
16.4.34. Breaking in Feb. 1936

One of two fat heifers shown at
Norwich Christmas Show 1936

Orange Court/ Orangery in the
1930s

Sir Dymoke White

�</text>
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        <name>Sir Dymoke White</name>
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    <itemType itemTypeId="22">
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          <element elementId="41">
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                <text>Salle Water Tower under construction 1958</text>
              </elementText>
              <elementText elementTextId="8971">
                <text>Martin Brighton was the foreman on site during the construction.</text>
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          <element elementId="40">
            <name>Date</name>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="8977">
                <text>Betts 2020</text>
              </elementText>
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                  <text>Salle</text>
                </elementText>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>GB/REE/Local Villages/Salle</text>
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      <description>Any photograph for which there is no previously existing hard copy in the Archive. The photograph can be stored on CD, DVD, memory card, USB stick, on hard drive or 'cloud'. It may have been sent electronically to the Archive or it may be a photograph owned by someone else which we have scanned or photographed.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lady and her dog outside a lodge at Salle</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Unknown lady and her dog outside one of the four lodges at Salle.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6233">
                <text>1930-40s (est)</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1930-40s (est)</text>
              </elementText>
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                <text>Salle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6236">
                <text>GB/REE/1907011201</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital</text>
              </elementText>
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                <text>Local Villages/Salle {File 12, Archive Box 112]</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="4231">
        <name>RL Calendar 2020</name>
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    </tagContainer>
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    <fileContainer>
      <file fileId="2411">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Salle</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>GB/REE/Local Villages/Salle</text>
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        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="22">
      <name>Photograph-digital</name>
      <description>Any photograph for which there is no previously existing hard copy in the Archive. The photograph can be stored on CD, DVD, memory card, USB stick, on hard drive or 'cloud'. It may have been sent electronically to the Archive or it may be a photograph owned by someone else which we have scanned or photographed.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4028">
                <text>Salle Street</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4029">
                <text>Two postcards of Salle Street showing Eight Row with the church in the background. &#13;
&#13;
One addressed to Mr. G. Childs of Cambridge&#13;
Postmarked 1933.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1930s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
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                <text>1930s</text>
              </elementText>
              <elementText elementTextId="4034">
                <text>Salle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4035">
                <text>GB/REE/1806281033</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4036">
                <text>1 sepia postcard&#13;
1 digital</text>
              </elementText>
              <elementText elementTextId="4037">
                <text>Local Villages/Salle [File 12, Archive Box 112]&#13;
EW Photo File</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4039">
                <text>E Whall&#13;
Reepham Society&#13;
Hardiment</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="4040">
                <text>D.  H. Kendall Chapman, Post Office, Reepham&#13;
Vulcan Series</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="5371">
                <text>EW Tan Postcard Album</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
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        <name>1930s</name>
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        <name>Kendall Chapman</name>
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        <name>Salle</name>
      </tag>
      <tag tagId="2342">
        <name>Vulcan Series Postcard</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
